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Dungeon Keeper (1997) It's all very well being a hero, venturing into dungeons in search of treasure and abducted princesses – but think of the trouble they cause for the owners of those dungeons. The boot's on the other foot in this classic strategy game from Peter Molyneux, which places you in the role of a villain fending off questing heroes with the aid of your minions. Rather wonderfully, you also have to stop your followers from killing each other, keeping vampires well away from warlocks and so forth – and giving you a taste of the bureaucracy involved in micromanaging a dungeon full of evil creatures. Golden Axe (1989) Featuring buff warriors in furry pants and Red Sonja-style warrior goddesses in bikinis, this barbarian themed beat-em-up was heavily inspired by Conan the Barbarian. The aim of the game?
Seek and destroy the evil lord, Death Adder – who with a name like that was hardly going to pursue a career in accountancy. Mr Adder – who wears a frightening mask just to let you know he's evil – has kidnapped the king and princess and killed your loved ones, so he's due a serious ass-whupping. What started as an arcade game later spawned two sequels for the Genesis, another for the arcade, and several spinoffs outside of the main series. The Elder Scrolls IV: Oblivion (2006) Even with its sequel Skyrim hitting the store shelves today, Elder Scrolls fans are still playing its predecessor Oblivion – because of its vast fantasy world and the depth of its gameplay.
You can happily invest 100 hours of your precious time without even touching the main quest. Hunt animals, join guilds, battle in arenas, or just enjoy a peaceful mountain-top horse ride.
Don’t forget to keep a fireball spell handy to dispose of pesky trolls though – they always spoil the view. The Legend of Zelda: Ocarina of Time (1998) Not content to just recreate the previous entries in the Legend of Zelda series in 3D, Ocarina of Time built on their foundations – developing SNES predecessor A Link to the Past's simple notion of mirrored Light and Dark Worlds into the more mature idea of switching between two different timezones, each with their own distinct feel. It added innovations like Z-targeting, context-sensitive buttons – now the norm in games – and, of course, the ocarina itself, used to conjure up melodies to solve puzzles and teleport around the expansive gameworld.
Perfectly harmonious. Ultima Underworld: The Stygian Abyss (1992) The venerable Ultima franchise got a 3D spit-and-polish for this innovative instalment, which saw the series' hero the Avatar banished to the depths of the Stygian Abyss to – you guessed it – rescue a princess. The game's big innovation was its use of a first-person 3D perspective, complete with varying heights, the ability to look up and variable lighting – all long before Doom hit the scene.
But the tech was only half the story, with eight gigantic levels of claustrophobic underground labyrinths to explore. World of Warcraft (2004) WoW is the world's most subscribed MMORPG, ever, and its unprecedented popularity made it a cultural phenomenon. As the fourth game in Warcraft's fantasy universe, WoW continues where Warcraft III: The Frozen Throne left off. And while it encourages you to play relentlessly, joining an online world of myth and magic, exploring jagged, snowy peaks and vast mountain fortresses can be dangerous.
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